How a UFO Animation Took Flight… Out of Pure Creative Chaos

After working on a children’s TV show in Ireland, I felt the itch to create something completely for myself. I wanted a project that wasn’t bound by deadlines, client feedback, or the need to be practical—just something where I could dive into my imagination and make something fun, nostalgic, and a little out there.

And that’s how this UFO animation came to be.

A Love Letter to 50s Sci-Fi and a Little Cartoon Absurdity

For some reason, I always find myself drawn back to the charm of 1950s sci-fi. There’s something about the bright colors, campy plots, and those flying saucers that’s both retro and timeless. Maybe it’s the idea that anything—anything—is possible out there in space. And when I had an Alien model sitting in Blender, rigged up but unused, I knew it was time to give this little guy a life of his own.

Originally, I built this alien model for a different project in Blender. This children’s show marked my first time diving into Blender, and I went a little ambitious on character creation. I learned pretty quickly that a simpler robot design would work best for learning the ropes. So, this little green fellow was left in my files, fully modeled but without a purpose. Until now.

The Result? An Absurd Animation Just for the Fun of It

So I decided to turn this model into a quirky short animation sequence. Think of it as a mini homage to Marvin the Martian and all those flying saucers that had us glued to the screen as kids. It’s ridiculous, nostalgic, and completely handcrafted—polygons and all—over a lot of late nights and probably more coffee than was advisable.

This clip is 100% my own creation, and there’s no other agenda here than to share a laugh (or maybe a groan) over a hovering UFO that’s suspiciously cartoonish. If you’re into quirky animation, sci-fi throwbacks, or just need a quick escape from the daily grind, I think you’ll get a kick out of this one.

[Click here to watch it on YouTube!] 🛸 👽

Why I Made This—and Why I Hope You’ll Watch

This is just the start of what I hope will be a collection of personal animation projects, each with its own dash of weirdness. If people seem to enjoy it, who knows? I might expand this into more stories, or bring in new characters from this universe I’m dreaming up.

So take a look, share a laugh, and let me know if this clip made you feel a bit like a kid again—or at least had you questioning if maybe, just maybe, the UFOs we saw on Saturday morning cartoons could be real.

Watch the video below, and let’s chat in the comments. Are you more of a UFO believer or a skeptic?

🚀👾 P.S. Don’t forget to hit “like” and subscribe on YouTube if you enjoyed it—it really helps indie animators like me keep these projects going!

Seriously?

Seriously? is my new short animation. Working in my favorite theme sci-fi it's set on a giant alien spaceship and shows the interaction of two of the inhabitants. There is love in the air....and on the floor and in your face. I asked my daughter for an idea for a short, she gave me nothing for hours saying she was thinking and then came up with a two sentence idea and Seriously? was the result.

My first job was to build a new character, My little green man #1. I wanted to do something cartoony and cute with appeal and simplicity. It took me a couple of tries as my first version was ugly, I like to sculpt my characters with lots of detail but it turned out that less was more. Simple rounded shapes made the character look cuter.

Surface of the model laid out for painting

Maya base model to Zbrush to texture test

Serious pose done in Maya rendered with 3Delight

My next job was to create an animatic. An animatic is a very rough version of the film where you can see the intended actions and camera shots but animation is very basic, just enough to show what happens.



So once you have your animatic it's basically a case of refining until you have your final animation version. You can see that while I was animating I had a placeholder background. I put the final version of the background in after the animation was done. Next I will show you an early version of the animation.



In that version you can see the animation is quite rough, some of the last shots look very different in the final version. There is no sound, the sound was worked on by my good friend Rafa Tomás Velázquez who was my house mate in Dublin. He is a talented guy and you can see more of his work over at Farmode .

Once I had finished the animation the last step was rendering I used 3Delight for the final render but I also tried Mental Ray and Renderman.

Renderman as used by Pixar........not really working for me :(

Mental Ray looked very nice but .....wasn't free :(

3Delight saves the day 

Rendering was a headache, I set up all my lights with and did all my tests with 3Delight, it kept crashing on me but I thought it should be all right when I rendered a full sequence a batch render........it wasn't. This lead me to try the other two, Mental Ray is what I have most experience with but at first it wasn't running. After poking around on the internet I found a solution and got it working and it looked great...........but I didn't realize you had to pay if you want it to batch render. You can render stills but to render a sequence you have to buy it. 

Renderman to the rescue! Pixar use it it must be amazing!...........WADDAYA MEAN IT TAKES 10 MINUTES TO RENDER A FRAME!!! Erm....yeah so seems my laptop is not Pixar ready, I could only get very ugly results with my background in Renderman. Back to the drawing board. Luckily in picking through my scene so many times to set it up for the different rendering programs I discovered my camera was corrupt. This was what was causing 3Delight to crash and after that everything went smoothly.

It would be great if people could share this post and the film, I would love Seriously? to get a big audience.

Be seeing you!

Shotgun 3d model

Here is my new Pump Action Shotgun model available from Turbosquid now. You can get it for Maya, Max, in fbx, or obj format. It's a polygonal model coming in at  faces 7519  verts 7485 for the shotgun with three cartridge models included. If you go over to turbosquid you can see a little animation of the shotgun pump action firing and ejecting shells.

I'm going to talk here a little about how I built the model and converting it from Maya to Max.

Maya Low poly shotgun

 I started out with a low poly base mesh which I built in Maya I then UV mapped the low poly model. I decided to have a look around to see if I could find a better UV mapping solution for this model. I normally make organic models and have been using Zbrushes UV master but it's no good for mechanical stuff like the shotgun. I ended up using Roadkill, it's a good program for low polygon. I also tried Maya's unfold but found it to be so loaded with bugs that it was unworkable.

Shotgun in Roadkill for UV mapping

Once this was done I exported the model as an obj and brought it into Zbrush for detailing. I separated the model into a number of subtools so that I could get a higher level of detail into the model.

Base model in Zbrush

Below are my high poly Zbrush sculpts with a shiny material on them so they look pretty. I found it quite hard to sculpt a mechanical object like this, but the idea was to push myself specifically into a hard surface object and I learnt a lot from it.

The next step for me was to get normal maps from the high poly sculpt onto a lower poly version of the shotgun. For this step I used xNormal which I have been using for a while and for me it seems the most reliable tool for this. As I had a number of subtools and because some areas of the shotgun overlap I used my subtools to normal map the shotgun in sections that fit into one texture page when assembled (if you look at the Roadkill screen shot you can see my texture page). Overlapping objects in normal mapping will cause errors if not dealt with separately.

This is where things went wrong..................

I had some ugly texture stretching going on which you can see above. The strange saw tooth effect showing on the piece above is pixelation on a normal map. What I did to fix this was re-map the shotgun at a higher poly division and also I altered my UV islands. I also rebuilt the barrel and used edge creasing in Zbrush to keep my edges sharp. The rifle butt needed re sculpting as I didn't have enough geometry in my low poly to make my original version work. All useful things to learn, edge creasing in Zbrush is an easy way to keep your crisp edges. For mechanical objects it's better to be generous with your low poly when it comes to curved areas like the rifle barrel. I discovered that Roadkill does not cope with higher poly models and ended up mapping the shotgun in sections, it wasn't too bad, I used the subtool division from Zbrush.

Next step texturng. Above is an early base colour version. You can see the barrel has changed from the Zbrush version. Below is the altered mapping from the higher poly division shotgun.

One more thing I wanted to share, as it drove me up the wall. This is the first model that I have converted to Max. It's pretty simple for a model like this which is just geometry with some separate parts. I exported the model as an obj. I learnt that to keep my pivot points accurate I needed to export all elements from the origin. I learnt how to rebuild my materials in Max, all pretty straight forward........until normal map seams!

The horror!

I'm going to run through what happened and how I solved it starting with setting up the normal map slot in the material. The first step is to go to the maps section of the material. Set the bump map amount to 100, default is 30. Next click the map button marked none, select "Normal Bump" from the Material/Map Browser. Now select the normal texture node.

Select the Normal slot marked none and pick bitmap from the Material/Map Browser. Lastly and here is the fix. Once you have navigated to your normal map texture file go to the gamma option, select override and set it to 1 as shown in the image below. The problem is due to Max's default gamma option being set to 2 which gives you your seams.

I had to do lots of googeling to get to the bottom of that one, so I hope this will help others with there normal map woes. Typical Max that the default value doesn't work.

Fixed!

I could also tell you a thing or three about shotgun calibre, imperial to metric but I think it might be too exciting for you (sarcasm).